The New Automat

In development

The original Horn and Hardart Automats introduced the concept of technology into the food business. They did this while also featuring lavish theatrical settings and unbelievably high quality and delicious food, at amazingly low prices, due to their ability to use “economy of scale” to revolutionize this industry. A few coins and the turn of a knob triggered an explosion of sensations and actions. Meanwhile, the cup of coffee, (the best you could find), that they sold in 1902 for 5 cents, was still available in 1950, for the same nickel.

In honor of that tradition, and to bring the latest in food delivery technology to the public, we will soon be providing these updated Automats to the industry. Like the original, It is a vending machine, which offers instant gratification that will, in most cases, be refreshed constantly by the food preparers behind it. Critically, it may also serve, in many cases, to enable the public to easily sample the fare of an establishment, through specially prepared small dishes, as a way to generate many new customers and a much wider appreciation of its offerings.

Available soon. Please click here for the up-to-date info on the development.

old automat

We are proud to have provided the original machines to the New York Public Library’s 2012-2013 show.

new automat front old automat

new automat back new automat

What should an Automat be?

Instant gratification, full respect for your time

Up-to-date, even futuristic, ways of engaging

Freshly prepared, healthy, and delicious food

A welcoming environment that is also beautiful

Reasonable costs for the best quality ingredients

A refuge for a full range of different personalities

A demonstration that there is enough of everything

Proof that public and private interests can merge

Somebody’s hand-made and beloved enterprise

A place made memorable by its very existence

The best cup of coffee, for 5 cents, for 50 years

And the tranquility that accompanies this stability

Well, that last one may be tough, so just forget it

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NEW YORKER The Automat Is a Guide to the Wonders of Mid-Twentieth-Century Urbanism

The Automat Is a Guide to the Wonders of Mid-Twentieth-Century Urbanism

Lisa Hurwitz’s ode to the Horn & Hardart restaurants—featuring Mel Brooks, Elliott Gould, and Ruth Bader Ginsburg—depicts cheap dining as a theatrical experience.

Source: https://www.newyorker.com/culture/the-front-row/the-automat-is-a-guide-to-the-wonders-of-mid-twentieth-century-urbanism

When Hurwitz questions the architectural dealer Steve Stollman (who collects the chain’s furnishings) about the “idealism” of Horn & Hardart, Stollman responds, “I think the idealism was infused into the lives of the people who experienced the Automat.” I think he’s right—and that, like any ideal, like any original idea, its inspirational power is out of control.

automat

The high style of movies such as “The French Dispatch,” “Zola,” and “Strawberry Mansion” is more than a matter of décor; their performances are stylized because style is as much a way of life as it is a visual delight. In Lisa Hurwitz’s new documentary, “The Automat,” which opens today at Film Forum, the equation is surprisingly reversed: it spotlights the enduring power of everyday, street-level style. The subject is a piece of New York (and Philadelphia) nostalgia: the once ubiquitous self-service Horn & Hardart restaurants that, as Hurwitz’s film makes clear, were as noteworthy for their décor and their social life as for their inexpensive but tasty food. (I speak from a personal childhood memory.) The film, which uses a conventional round of interviews with people whose lives intersected with the restaurants and a tangy selection of historical documents and archival footage, shows that the style in question was more than a matter of marketing; it was, as in the work of artists, the embodiment of an idea—even of an ideal.

Hurwitz’s prime guide into the elusive wonders of mid-twentieth-century urbanism is none other than Mel Brooks, born in 1926, who grew up in Williamsburg and went with his brothers to Manhattan (which, he emphasizes, they all called New York, as did my Brooklynite ancestors) to eat, cheaply but well, at a Horn & Hardart Automat. Discussing a brief article by Brooks nearly a decade ago, I exhorted him to write a memoir, because his power of memory, with its profusion of vivid details, is inherently literary, and his recollections in “The Automat” make him no mere tour guide along memory lane but a veritable Virgil from a vanished world of ordinary graces. (I took particular pleasure in his mention of the booth where a clerk changed dollar bills into nickels, through a cutout in a window, passing the coins through a counter where “the wood was very smooth” from constant use.)

The delight of “The Automat,” which also features twenty-one other interview subjects from many walks of life and connections to the restaurant chain, is its blend of social and intellectual history with its anecdotal history—its evocation of the links between intention, practice, and experience; its depiction of a largely lost aesthetic of daily life. Hurwitz sketches the restaurant’s nineteenth-century roots: the desire of the Philadelphia-born Joseph Horn to open his restaurant, and the dream of a German immigrant in New Orleans named Frank Hardart to export that city’s style of coffee. Inspired by mechanized German self-service restaurants, they opened their first Automat in Philadelphia in 1902, and their first in New York ten years later. They soon opened more, in both cities: Horn stayed in Philadelphia and ran the restaurants there; Hardart (and, after his death, his sons) ran the ones in New York. The film links the rapid expansion and success of both chains to the two cities’ economic boom (a growing workforce meant more people eating meals away from home and near offices) and to the rise of immigrant populations, who could eat in self-service restaurants without having to order in English.

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Film Forum

In-Person Q&A with THE AUTOMAT
Filmmaker Lisa Hurwitz
& Film Subject Steve Stollman
Saturday, February 19, 7:30 show

Moderated by David Freeland, author of Automats, Taxi Dances, and Vaudville: Excavating Manhattan’s Lost Places of Leisure

steve stollman automat

https://filmforum.org/events/event/in-person-qa-with-the-automat-filmmaker-lisa-hurwitz-film-subject-steve-stollman

Was an architectural dealer

who bought, sold, and restored antique commercial wood bar fixtures, which led to the preservation of original Automat equipment and provision to exhibitions at the NY Public Library and Museum of the City of New York. Currently living Upstate, with lifelong companion, Melissa, Steve currently is designing and building prototypes of enclosed, human/solar/electric pedicabs.

steven stollman

The source article is at https://filmforum.org/events/event/in-person-qa-with-the-automat-filmmaker-lisa-hurwitz-film-subject-steve-stollman

Born and raised in Los Angeles, Lisa Hurwitz grew up in the storied Laurel Canyon neighborhood. She received a liberal arts degree from The Evergreen State College in Olympia, Washington, and went on to work at arts organizations in Washington including The Olympia Film Society, where she directed The Olympia Film Festival, having started her affiliation there by volunteering as a 35 mm projectionist.  Lisa helped oversee The Arts + Ideas Stage at The Stroum Jewish Community Center of Greater Seattle and The Seattle Jewish Film Festival.  She later moved to New York City where she worked as a publicist at an Italian public relations firm.  Her first feature film THE AUTOMAT premiered at The 2021 Telluride Film Festival.  Her next project, a narrative romantic comedy film set in Italy, is currently in development.  She resides in Manhattan’s Upper West Side.

David Freeland is the author of the book Automats, Taxi Dances and Vaudeville: Excavating Manhattan’s Lost Places of Leisure. His other books include American Hotel: the Waldorf-Astoria and the Making of a Century, and Ladies of Soul. He has written for the Wall Street JournalNew York HistoryAmerican Songwriter, and other publications.

Steve Stollman was an architectural dealer who bought, sold, and restored antique commercial wood bar fixtures, which led to the preservation of original Automat equipment and provision to exhibitions at the NY Public Library and Museum of the City of New York. Currently living Upstate, with lifelong companion, Melissa, Steve currently is designing and building prototypes of enclosed, human/solar/electric pedicabs.

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Two Documentaries

with Local Subjects Come to the Crandell this June

The Automat, playing Sunday, June 5, at 1 pm tells the 100-year story of iconic restaurant chain Horn & Hardart, where generations of Americans enjoyed coffee and meals at communal tables. The documentary features interviews with Spencertown resident Steve Stollman, an architectural dealer who bought, sold, and restored antique commercial wood bar fixtures. His work led to the preservation of original Automat equipment and provision to exhibitions at the New York Public Library and Museum of the City of New York. A Q&A with Stollman will follow the screening.

Source: https://crandelltheatre.org/crandell-theatre-presents-two-documentaries-with-local-subjects-this-june/

steve stoll,am

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What did the Automat teach us

about technology’s role in our lives?

The iconic Automat offered an early example of how automation can improve our everyday lives. It also raised some of the questions that bedevil a more technologized society. Automat aficionado Steve Stollman considers what answers Automat might have offered as well.

COMMENTARY

Source: https://www.vendingtimes.com/blogs/what-did-the-automat-teach-us-about-technologys-role-in-our-lives/?utm_source=KVO&utm_medium=email&utm_campaign=EMNA&utm_content=2021-02-08

What did the Automat teach us about technology’s role in our lives?Picture courtesy of the Hardart family.


 | by Steve Stollman

I was standing on 52nd Street, bored to death watching my friend’s car while he delivered some papers to his architect. I left the passenger door open to discourage cops from thinking we were illegally parked. I leaned against the rear fender and when I looked up there was a familiar fellow about to walk past me on the sidewalk, surrounded by a small number of guys in neat suits. I immediately recognized him: Bill Gates and his coterie. I couldn’t just leave the car there to be ticketed but I caught up with them as they passed and threw a question at him.

“Do you know what the Automat is”? Sure, he said, he knew. “Could I write an email to you about it?” Same answer, “Sure.” I was getting too far from the car and I had to leave him alone to continue his journey.

I wrote him eventually and joined the probably thousands of others who got up the nerve to write a very busy Mr. Gates and were not even sent a standard, “Thanks for inquiring” reply. That was the beginning and the end of my personal relationship with one of the richest and most powerful humans on the planet.

As I thought about it afterward I began to muse on the connection between the man who taught us all to communicate in bits and the ubiquitous food-delivering institutions that gave us some of our first looks at what came to be called “technology” — and a view through a little window into the future that was looming before us, without us even knowing what it was or meant.

Bill Gates was familiar with the Automat. Did Automat’s windows influence the logo he chose for his company? Photo courtesy of Wikimedia Commons.

As you gaze at what is now one of the most familiar logos of all time, what you see, along with the boldface “Microsoft” are four brightly colored little rectangles, inviting you into a new, better world of myriad, still unknown delights.

The design of those little rectangles is familiar to everyone, and they bear a strong similarity to the little windows on the original Automat machines.

Windows — the all-too-familiar name of the software that conquered the world. In envisioning this logo, was Bill Gates imagining a future in which everybody would have access to the best of everything? Could he have been inspired by a childhood visit to a food palace with an infinite variety of delicious treats, surrounded by invisible and mysterious processes, hidden behind a wall of………Windows?

What was the Automat?

In 1902, the Automat, a giant vending machine, was born in Philadelphia. The cubicles covered an entire wall and lived on a steady diet of nickels. The coin slots were so small that they would not accept quarters. Everything cost a number of nickels, and for the best cup of coffee that anyone had ever drank, only one of those shiny five-cent pieces was required.

Amazingly, it was not until the 1950s that this delicious cup of java’s price was raised to two nickels. It was a strict rule that every 20 minutes a new tub of freshly made coffee replaced the current one, no matter how much was left in it. The liquid spilled out of the ornate, sculpted mouths of some mythological creature, a design borrowed from an Italian fountain, which is often described as a lion’s head but actually more resembled a duck.

Since all of the food being served was prepared fresh each day, this was some of the best quality eats available to the public, and it bore no similarity to the typical fare available from a machine, or a street vendor, that had previously been the rule.

The convenience of walking up to one of the innumerable cubicles, throwing a few nickels in the slots and sitting down at one of the tables, oftentimes across from a complete stranger, was exhilarating and important to secretaries on their lunch hour and bank executives for whom every minute was worth a fortune. It is unknown how many of these random pairings ended up resulting in a marriage or business partnership, but there were many.

Why they remembered the Automat

I know because heard about some of these stories when I put up a display of some original Automat units which I restored in the window of my shop on Houston Street years before I became the American distributor for Braimex, the European company that has for 50 years made the modern version of Automats used throughout Europe, now in Mexico and soon throughout the U.S.

I had a constant stream of visitors stopping in and telling me their Automat stories. This was not just a fast food joint, although it was the biggest restaurant chain of its time. This was the second home to a whole slice of the population. It was one of their fondest memories, of being taken there by their grandparents.

We associate vending machines with impersonal activity, instant gratification that lasts a moment. This technology is now considered as archaic as possible, a simple mechanical device, but there was a time when it was the leading edge, a look into a world where machines could do the work of a person — some of the first robots.

Today the stakes are higher

Much has changed in our outlook on automation since that time.

Now we are facing a future in which we are terrified that our value, our ability to perform useful functions, is beginning to be in question.

Other interpretations of this direction are less threatening, such as the possibility of turning over unfulfilling tasks to machines so that the more satisfying activities available to us can be more fully enjoyed. The calculator freed us from spending our days adding columns of figures and was more accurate too. And thanks to the Automat, we could eat lunch without waiting for it to cook and didn’t have to worry about getting sick or dying from fares that might have been kept in improper conditions. This is called progress.

Can automation provide us with the convenience we are seeking and also meet our need for companionship to ensure a better quality of life? Are today’s new versions of the Automat helping to point the way by capturing the convenience and food quality of the original Automat?

Part two of this two-part series will further explore these questions.

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Contactless Vending Times

Source: https://www.vendingtimes.com/

automat nyc

COPING WITH COVID-19

Vending machines will keep Valentine’s Day happy in Portland during COVID

When she had to close her restaurant’s doors due to COVID-19, one entrepreneur installed vending machines to continue serving customers. The move has proved successful.

 | by Elliot Maras

If you live in Portland, Oregon, COVID-19 doesn’t have to spoil your Valentine’s Day. You can treat your special someone to chocolates, macrons and gifts at Pix Patisserie without having to come into contact with a stranger.

The chocolate meringue, Tahitian vanilla bean mousse and praline/rum Bavarian cream treats that the French desserts/Spanish tapas restaurant has long been famous for are available from two carousel style vending machines right outside the front door — all hours of the day and night.

If you feel lucky, you might try to win a pair of 14 karat white gold stud earrings with 12 ¼ carat round cut diamonds hidden in one of the box of chocolates sitting atop one of the 4 1/8-inch high shelves inside a vending machine.

And don’t forget to take a picture in the photo booth and post it on social media for a chance to win a free dessert.

Pandemic necessitated change

Two Shoppertron machines offer desserts at the entrance to Pix Patisserie.

Like other Portland business owners, Cheryl Wakerhauser had to close her doors in March because of COVID-19. But the entrepreneur didn’t see that as a reason to stop serving her customers their favorite desserts.

In fact, when the doors closed (except for takeout), she saw it as a chance to test a concept she had already given some thought to: vending. While the restaurant remains closed, the two “Pix-o-matic” vending machines now offer the full menu 24/7.

“It’s been amazing,” Wakerhauser told Vending Times. “Now, with the vending machine, you don’t even have to call me. You just stop by — in the middle of the night if you want — and pick something out. We’re open 24 hours a day because I have the vending machines outside the front door. It’s very convenient.”

“What we’re trying to do here with the vending machine is keep what we were doing when we were open alive and well,” she said. “The same thing we were doing last Valentine’s Day we’re doing this Valentine’s Day — in a vending machine.”

The restaurant, when it was open for dining, served patrons from 4 p.m. to midnight on weekdays and 2 p.m. to midnight on weekends. Customers can still order takeout and pick up their order at the door, she said, but “no one comes into the restaurant, not even for the takeout.”

Business restrictions confusing

The business restrictions in Portland have varied since the lockdown began — from a complete closure to limited hours, changing occupancy requirements, takeout only and outdoor dining only — and Wakerhauser is glad she has not had to try to keep track of them.

“It’s all over the map,” she said of the rules. “For us, we’ve just stayed the same. Special orders and then the vending machines. The last thing I want to do on a Friday night is stand outside in the cold, and some people not wearing masks. That’s not for me, and I don’t think it’s safe for my customers.”

Wakerhauser, who started her restaurant after losing her job as a chef at a catering company following the 9/11 terror attack, began thinking about vending six years ago when she was having a hard time finding employees — a situation that forced her to close two days a week – resulting in lost sales.

“I wondered if I got a vending machine, we could be open all the time,” she said. But she wasn’t sure how receptive customers would be to a vending machine, so she shelved the idea at the time.

The pandemic changed all that, and she hasn’t looked back.

Cheryl Wakerhauser stocks one of her Pix-o-matics.

Vending to the rescue

“As soon as the pandemic happened, I was like, ‘that (vending) is perfect,” she said.

She began with one refurbished 1998 Shoppertron machine she bought from Smitty’s Vending, a vending and refrigeration equipment distributor in Portland. The customer presses a button to rotate shelves and view all the selections before making a choice. The shelves are arranged in nine vertical rows.

In addition to the desserts, there are other items such as toys, canned fish and face masks.

Wakerhauser kept her fingers crossed the machine would net a few hundred dollars per week. She put signs up to instruct people how to use the Shoppertron.

It turns out there was no reason to worry.

“The first day we made $400,” she said. “The next day we made about $1,200, and the week after that, one Saturday we made $4,200 or $4,300 in a single day. I was stocking it and stocking it and stocking it.”

She didn’t hesitate to buy another Shoppertron the next month.

Holiday specials continue

Holiday specials have been a focus for Wakerhauser since she opened her restaurant 20 years ago, and the holidays so far have been just as busy for the vending machines.

“I find a way to do the same thing in the Pix-o-matic,” she said.

There is also a “Confessions Wall” on the restaurant window where people are invited to post personal notes. She is expecting as many as 100 postings on Valentine’s Day.

Security has not been an issue, possibly because the restaurant’s front door is close to the sidewalk with a fair amount of traffic. She also keeps the area lit and has music playing.

The extent of the vandalism was some graffiti written with a candle that was easy to wipe off, as well as an iPad that was stolen from the photo booth.

There have been no mechanical issues with the machines so far.

Cheryl Wakerhauser plans to keep the vending machines even after her restaurant reopens for indoor dining.

The bottom line: a thumbs up

Wakerhauser is currently doing 75% of the volume she was doing before closing the restaurant — minus the cost of 19 of her 20 employees.

“I don’t have to have a staff here until 2 in the morning cleaning up the dishes and stuff,” she said. “No one has to sit there and take an order.”

“The downside is I only had seven days off in 2020,” she said. She recently rehired one of her five pastry chefs to help full time.

Wakerhauser does not know when the indoor dining will resume, but she will definitely keep the machines once the pandemic is over.

“As long as the vending machines are there, people can still buy stuff 24 hours a day,” she said.

For an update on how the coronavirus pandemic is affecting convenience services, click here.

Photos courtesy of Pix Patisserie.

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Why convenience also needs to be personal post-pandemic

COMMENTARY

We all love convenience and expect it now in many situations, but It is important to attempt to preserve those personal aspects that we treasure and have often taken for granted.

Why convenience also needs to be personal post-pandemicPhoto courtesy of Steve Stollman.


 | by Steve Stollman

(Editor’s note: This is part two in a two-part series on what the original Automat can teach today’s convenience services industry.)

With the pandemic, sterile machines are suddenly our best friends. Suddenly, on account of the fear of contagion, we are happier to keep our distance and ignore the presence of others. New industries are growing up to serve this new reality.

As I noted in last week’s blog, we know the original Automat gave us the first glimpse of the mechanization of things being sold as an unalloyed benefit without even a glimpse at the potential downside, but what will happen when the pandemic is over, and we begin to feel free to explore our surroundings and once again seek the companionship of others?

Is the next generation of vending machines going to know your name too and what you prefer? Probably, because it is not only possible, it is necessary, to help you get over what you are missing from the days of the luncheonette, when the waitress knew your name and you enjoyed the company of others. But the path to that future, where both our needs for convenience and a genuinely social experience converge, won’t be easy. There will be plenty of road bumps.

Pressure for efficiency rises

When the new, higher minimum wage is passed, as it might be in a Democratic administration, restaurants everywhere are going to be looking for a way to replace expensive human labor with cheaper, more reliable, un-unionized robots and machines of every kind. What kind of a world will this be? Is it one that we want to live in, that we can survive in? Can there really be a balance between efficient and cheap mechanization and the warm, human and interactive experience that we have always sought?

If that is what we demand, that is what we will get. If not, we will be losing something besides jobs. We will be missing the essence of life, the connection between us and our social and physical environment.

How can the benefits of mechanization and digitalization be integrated into a personalized process that frees us from deadening tasks and frees us up to concentrate on the other aspects of our existence that enhance our lives, instead of supplanting our essential experiences?

In some ways, the current iterations of the Automat experience, as exemplified by Brooklyn Dumpling Shop in New York City and Automat Kitchen in New Jersey, point to this new reality. (Brooklyn Dumpling Shop is just a block away from an attempt in 2007 to update the Automat experience with modern equipment called the BAMN Automat, which failed in part because unlike the original Automat, the fare was not delicious. If you don’t deliver the goods, a gimmick will not earn you loyal customers.) These new iterations appear to be carrying forth the food quality of the original Automat while combining that with modern conveniences.

The Automat married quality with convenience

Mr. Horn and Mr. Hardart, founders of the original Automat, were adamant that the quality of their products remain as high as possible and had a “bible” that demanded that proportions and ingredients be kept the same throughout the 90-year history of the establishment that bore their name. They had daily sessions where random samples of their fare were sampled and woe be to whomever would do anything to harm their reputation.

We may have since gotten much better at providing temperature controls than we were then, just as we have improved our payment methods to include digital pre-payment and credit cards, but at the same time, now we have also lost something when we are expected to stand at kiosks and put in orders and then spend time, our most precious commodity, waiting for our orders to process and be delivered. While digital pre-ordering is attempting to remedy this problem, this can be a clumsy and unsatisfying way to order and you must be able to calculate the time factor with some accuracy.

We are, most definitely, in a time when habits are going to change and that means both benefits and possible hazards in trying to deliver the “best of both worlds.” It is easy to see the upside, but much more difficult to guess what might be the hidden problems that this will bring. For instance, if we eliminate all of our jobs and replace our labor with robots, how will we make a living and how will that world look?

Standardization and consistency in products have become more expected, but there is no longer a named person who will make certain that the ingredients in something are not replaced by a cheaper product, or keep some chemical, with unknown long-term side effects, from creeping into the recipe. As the human factor is further diminished, we are going to be missing something and may not even know it.

We all love convenience and expect it now in many situations, but this will not be the same world we return to. It is important to attempt to preserve those aspects of it that we treasure and have always taken for granted. I want to still be able to know the name of somebody who is a regular part of my life and not be surrounded by lifeless mechanisms.

Questions we need to ask

Do we really want to abandon all of our friendly neighborhood haunts and replace them with machines?

Are there ways to integrate these helpful devices into a socially rich surrounding?

Must arcade machines always emphasize violence because young males are often drawn towards the most competitive activities?

Can’t we try harder to integrate natural, educational and more cooperative ideas into these experiences?

Shouldn’t our primary goal be to create a peaceful world and nutritious fare for our family members, friends and everyone else?

We can do this, and probably had better, lest we accept the lowest common denominator rather than our highest aspirations as what we most desire and deserve. That does not mean not profiting well from our work, just that it is not the be all, and end all, of our lives.

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Will the pandemic bring back the Automat?

Will it save fast food?

Source: https://www.vendingtimes.com/blogs/is-the-pandemic-bringing-back-the-automat/

 | by Tim Sanford

steve stollman automat

Picture courtesy of the Hardart family.

Attempts to revive the once-popular Automat have failed over the years, but the pandemic and technology have advanced tremendously over the past decade. It will be interesting to see whether the new automats can help the restaurant industry survive the present crisis.

Recent news reports of a new “automat” foodservice establishment’s imminent opening here in New York City remind us that the lure of adding novelty while reducing labor cost and food waste has been around for a long time. At this writing, developments are being shaped by the restrictions imposed on public gatherings — in restaurants or anywhere else — and uncertainty about the duration of the coronavirus pandemic.

The original Automat was opened in Berlin, Germany by vending pioneer Max Sielaff in 1895. It came to the U.S. in 1912 when two successful Philadelphia restaurateurs, Joseph Horn and Frank Hardart, bought Sielaff machines and opened their first Horn & Hardart Automat in New York City. These restaurants’ “iconic” feature was an array of glass-doored, coin-lock-actuated compartments holding a wide range of food selections. This vending wall separated the dining room from the kitchen and was extended by a manual steam-table-equipped serving line for side orders and items that could not conveniently be wrapped.

The display compartments were secured by a coin mech that originally accepted nickels (eventually supplemented by tokens for greater convenience and price flexibility). A prominent feature was a marble-topped counter where a cashier made a change.

Fast food challenges the Automat

Horn & Hardart Automats were immensely popular in the interwar years, gained fame during the Great Depression, and eventually expanded to 40 restaurants in New York City and more in other cities. That popularity was challenged in the 1950s with the rise of what became quick-service/fast-food restaurants, but the chain put up a good fight. The last Horn & Hardart closed in New York City in 1991.

There have been a number of attempts to update and revive the Automat. A Spain based company, Braimex, offers a similar concept called the Snackomatic with installations worldwide, the most prominent being a Netherlands chain called FEBO.

An attempt by a company called Bamn! to bring this concept to New York City in the mid-2000s was well received, but did not endure.

Recent domestic efforts have included a chain called Eatsa, which had stores in New York City and San Francisco. These received good reviews, but have closed, and the organization now sells automated retailing technology.

One user of that technology is Wow Bao, based in Chicago, which is going strong. (A bao is a soft bun, popular in China and Japan, typically used for sandwiches and steamed dumplings).

The new endeavors

steve stollman automat

The Brooklyn Dumpling Shop marks one of the recent attempts to revive the Automat using remote ordering. Image courtesy of Fransmart.

Two new endeavors are slated for opening soon. The better-publicized is the Brooklyn Dumpling Shop, which is readying its first store and has teamed up with franchise development company Fransmart to market the concept nationwide.

BDS’s signature products are styles of dumplings reflecting today’s international taste, including main-meal and dessert/snack selections. The facility’s layout is similar to a classic Automat, with food prepared in a kitchen behind the vending wall, but optimized for fast service and carry-out. Delivery service also will be available. While the pandemic restrictions remain in force, the emphasis is on placing an order remotely with a smartphone or on-premises with a contactless terminal. Company employees will be on hand to maintain proper patron spacing and provide assistance. The remote ordering application enables patrons to specify delivery.

A similar initiative is underway in Jersey City, New Jersey. According to Jersey City real estate publication Jerseydigs.com, the new Automat Kitchen will feature a chef-designed menu that puts a contemporary twist on classic dishes, many of which are inspired by comfort foods from around the globe. A company website now is under construction.

Technology and lifestyle changes

The time certainly seems right. The state of the art has advanced tremendously over the past decade, and it will be interesting to see whether it can help the restaurant industry survive the present crisis.

After I joined Vending Times in 1967, I found that when I told friends and relatives about fresh food vending, they invariably responded, “Oh, like the Automat.” My father had taken me to a Horn & Hardart Automat in midtown Manhattan when I was a child, and the very last New York City Automat was located a couple of blocks from the Vending Times office until the early 1990s. Several Vending Times employees had fond memories of the Automat, not as a tourist attraction or a nostalgia trip but as a good place to have lunch. I think a few points might be kept in mind.

First, many people who regularly patronized Horn & Hardart praised the quality of the food (especially the steamed vegetables) and the coffee — the management understood the value of quality coffee — and the reasonable prices.

After the last one closed, the retrospectives emphasized that one of the problems contributing to the end of its “life cycle” was that those regulars, the core clientele, were getting older, retiring, moving out of the city — but, as long as they lasted, they understood “lunch” as a full sit-down meal, not something formatted for consumption on the go. But that was not the understanding of the rising generation, for whom “a place my parents like” was not an endorsement. This is a structural problem with retailing, and often there are no marketing solutions for it.

Moreover, that rising generation was not into steamed vegetables. Today’s young people probably have a more balanced view. A Horn & Hardart was fun for a child who was allowed to put nickels into a coin slot and receive a piece of the pie — but it was hardly an “experience.” In fact, that was one of the qualities that endeared it to its mature audience.

And those devoted customers did not expect a fine dining experience. So inevitably, the Automat developed a somewhat downmarket or second-best vibe. This did not help it attract a new clientele.

It may be that the pandemic will be the catalyst that gives the general public a wider view of the advantages of retail automation beyond the convenience of the touchscreen ordering terminals now in use by a growing number of fast-food outlets. There may be opportunities to enhance the fun component of purchasing food with this new hands-off technology.

And workplace food and beverage service providers would do well to keep an eye on this segment. There’s a lot going on.

For an update on how the coronavirus has affected convenience services, click here.

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The Automat Commentary

‘The Automat’ – a great read for those interested in convenience services, past, present, and future

Source: https://www.vendingtimes.com/blogs/the-automat-a-great-read-for-those-interested-in-convenience-services-past-present-and-future/?utm_source=KVO&utm_medium=email&utm_campaign=EMNA&utm_content=2021-03-08

“The Automat” explores the history of an iconic vending innovation and chronicles its impact on society during the decades of its existence, an engaging read for anyone who is serious about the convenience services industry.

‘The Automat’ – a great read for those interested in convenience services, past, present and future

 | by Elliot Maras

I’ll make a confession. I’ve been reporting on the convenience services industry for nearly three decades. But I hadn’t given much thought to the industry’s full heritage until I recently picked up a copy of “The Automat,” a book by Lorraine Diehl and Marianne Hardart, the great-granddaughter of Automat co-founder Frank Hardart.

The Horn & Hardart Automat was a chain of self-service restaurants in New York City and Philadelphia which — from the early 1900s to the early 1990s — allowed patrons to serve themselves ready-to-eat hot food using coins to unlock glass compartments that were refilled by servers behind a wall. It was one of the first businesses to popularize automation for the average U.S. consumer.

The book, which is available for purchase, explores the history of this vending innovation and chronicles its impact on society during the decades of its existence. It’s an engaging read for anyone who is serious about the convenience services industry.

Why it matters today

When I told my parents I was going to be writing for a vending trade publication in 1993, they reacted with joy, recollecting their college days when the Horn & Hardart Automat was a mainstay of their lives. It offered reliably good value meals in a homey environment patronized by people from all walks of life.

The last Horn & Hardart Automat restaurant closed in 1991, but recently there has been a revival of interest.

One reason is that a couple of well-heeled entrepreneurs have attempted to revive it with modern self-service technology: The Brooklyn Dumpling Shop in New York City and Automat Kitchen in Jersey City, New Jersey.

The bigger reason is that Automat’s history is repeating itself. The current push to self-service in many restaurants is taking commercial food service back to the Automat. Kiosk Marketplace, our sister website, has been reporting on the restaurant industry’s embrace of self-service, led by McDonald’s, for the past three years.

The pace is accelerating, as the pandemic has driven even casual dining restaurants such as Steak n Shake to self-service.

Steve Stollman, in his February blog, posited that today’s Automat reiterations could once again provide the convenience consumers are currently seeking and also meet their need for a sense of social belonging.

The story and the impact

What the book, “The Automat” reveals is not only the interesting story behind the innovation — the partnership between the founders came about in 1888 when 27-year-old Joe Horn placed an ad for a partner in a Philadelphia newspaper and got a response from 38-year-old Frank Hardart — but the impact it had on society for years to come.

And some impact it was.

The book is filled with pictures of Art Deco Automat restaurant interiors, celebrity visitors and original Automat recipes, as it chronicles the ways the Automat became ingrained in popular American culture.

Glass sculptor Nicola D’Ascenzo, who designed the windows for the Washington D.C. Folger Shakespeare Library and New York City’s St. John the Divine Cathedral, designed the windows for the first Manhattan Automat in Times Square, featuring a ceiling with colored carvings, a white marble floor with black circles and wood-framed mirrors on the walls.

In 1929, Ralph Bencker, another Art Deco architect, began designing Horn & Hardart restaurants, including one on West 181st Street in Manhattan featuring a skylight of art glass portraying replicas of the Chrysler and Empire State buildings.

Celebrity appearances at Automats made the newspapers in the 1930s and 1940s, including Jean Harlow, Gene Kelly, Betsy Blair, Veronica Lake and John D. Rockefeller, Jr.

Composer Irving Berlin celebrated the Automat in a song. Comedian Jack Benny launched his TV show with a party at the Automat. A 1932 Broadway show, “Face the Music,” featured the Automat’s wall of windows.

One of the best-known bits of memorabilia is American artist Edward Hopper’s 1927 painting of a woman at a table with a cup of coffee, titled “Automat.”

Then there was the “Horn and Hardart Children’s Hour,” which started as a radio variety show in 1927 before moving to television in 1948 in front of a live audience. By 1943, more than 100,000 children auditioned as singers, tap dancers, baton twirlers, and jugglers. Performers who went on to show business careers from the show included Frankie Avalon, Eddie Fisher, Bobby Rydell, Ann Sothern, and Madeline Kahn.

Why did it end?

What caused Automat’s eventual demise? Opinions vary. Some believe fast food, powered by larger organizations with deeper pockets and stronger marketing savvy, was eventually able to carry the day.

The book’s authors contend that by the 1960s, consumers eating on the run were no longer interested in Automat’s traditional Salisbury steak, baked beans, and mashed potatoes, which required spacious kitchen commissaries.

The company also faced competition from the growth of high-rise office buildings with their own cafeterias.

On April 8, 1991, the Automat at 42nd Street and Third Avenue served its last meal in the last remaining restaurant.

What did we learn?

It’s important to keep in mind the lessons of Automat as we enter a new era in convenience dining. The Automat succeeded because it gave consumers what they wanted, and not just in terms of what they wanted to eat. Its then-contemporary Art Deco designs gave them a sense of comfort, and its focus on community-made everyone feel welcome.

It was a family-oriented company that valued its employees, sought their honest feedback, and listened to them.

Today, social media allows operators to gain valuable insight into consumer food and beverage preferences.

Self-service technology enables operators to serve meals more efficiently.

Computerized loyalty promotions, nutritional information, and online ordering are tools that further enhance customer convenience.

Will today’s convenience services entrepreneurs do everything Automat did in its day and go a step further by staying ahead of changing consumer needs?

“The Automat” makes good reading for those interested in both the past and the future of convenience services. It also suits reception rooms and makes an excellent gift for industry colleagues.

The 128-page, hardcover book is available in its original form for $89 on Amazon, with used versions in good conditions available for less than $40.

For those who are committed to convenience services, the book is certainly worth the read.

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Original Automat

Original and restored Automat machines available

We are proud to have provided the original machines to the New York Public Library’s 2012-2013 show.

http://exhibitions.nypl.org/lunchhour/exhibits/show/lunchhour | The exhibit brochure is Here

Special thanks to Steven Stollman for loaning the museum the machines.

Celebration 100th anniversary of first Automat in NYC, Lunch Hour NYC, NYPL

The Automat was one of the wonders of New York. When Joe Horn and Frank Hardart opened their magnificent flagship on July 2, 1912-a a two-story facade of stained glass, marble floors, and ornately carved ceilings, right in the middle of Times Square-the city was instantly captivated. Hungry? Drop a nickel in a slot, open the door to your chosen compartment, and pull your dish right out a modern miracle! Sandwiches, hot dishes, and desserts were all freshly made, and the coffee was said to be the best in New York. By the 1940s there were Automat restaurants all over the city. Children and tourists adored them, office workers depended on them, retirees gathered in them, and New Yorkers with nothing to spend on lunch stirred free ketchup into hot water and called it soup.

Stephen A. Schwarzman Building, Gottesman Exhibition Hall. June 22, 2012. through February 17, 2013. Read more Here.

old automat

old automat

old automat

old automat

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Horn & Hardart Menu 1958.

Roosevelt Field

October 1, 1958

243 dishes

Source: http://menus.nypl.org/menus/28413/explore

Courtesy of The New York Public Library.  www.nypl.org

automat menu

automat menu

automat menu pumpkin pie

automat menu

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Horn & Hardart Menu 1940.

Philadelphia

August 3, 1940

107 dishes

Source: http://menus.nypl.org/menus/30411

Courtesy of The New York Public Library.  www.nypl.org

automat menu philadelphia automat menu philadelphiaautomat menu philadelphia automat menu philadelphia

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Automat Chairs

Horn & Hardart Automat at 57th Street NYC

To order or to see the chairs please contact: Steven Stollman, Tel. 212 431 0600 or Email

automat chairs

automat chairs

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Automat Spouts

Available

For the sales in the United States please contact: Steven Stollman, Tel. 212 431 0600 or Email

automat spouts

automat spouts

automat spouts

automat spouts

automat spouts

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Photos

Of Original Automat

The machines we saved are from the last Horn and Hardart Automat in NYC.

You can see them in our warehouse in Ellenville NY. Please contact Steve Stollman to schedule a visit.

Tel. 212 431 0600 or Email

automat

old automat

old automat

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Contacts

Steven Stollman

For the sales in the United States please contact:

Steven Stollman, Tel. 212 431 0600 or Email

More from Steve:

aBeautifulBar.com

SteveStollman.com

http://thefreepaper.org/

SharingUmbrellas.org

LocalExpression.com

LightWheels.com

Mulberry Street Gang

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Automat in Film

At the Automat:

Just Drop it in the Slot; a Look at the Horn and Hardart Automat and its Legacy:

Tallulah Bankhead–Trip to the Automat, 1957 TV:

THE EARLY BIRD (1925):

ARTISTIC TEMPER (1932):

SADIE McKEE (1934):

EASY LIVING (1937):

WILD MONEY (1937):

THE SLEEPING CITY (1950):

JUST THIS ONCE (1952):

THE CATERED AFFAIR (1956):

THAT TOUCH OF MINK (1962):

YOU’RE A BIG BOY NOW (1966):

RADIO DAYS (1987):

DARK CITY (1998):

The Automat in the Postwar Era: Decline of a Beloved New York Institution:

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New Showtime

New Showtime mega-production

Penny Dreadful,

starring last year’s Tony Award winner Nathan Lane, will have an Automat as one of its key locales. While their Art Department decided to reproduce the endless wall of windows, they did avail themselves of our stockpile of Dolphin head spouts for delivering the best cup of coffee in the world for a nickel from 1902 to 1951. While the scenes take place in noir 1930’s L.A., this city was never actually blessed with an Automat. Since they were the largest “Fast Food” enterprise of their time, they realized, after excursions to Chicago, etc., that maintaining the quality and value they were accustomed to providing, required the giant commissaries and bakeries that they had in New York City and Philadelphia, along with close supervision of every aspect of their brainchild, so they settled for only 80 Automats and 140 “Less Work for Mother” retail shops.

automat

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MARVELOUS MRS. MAISEL RECREATES THE AUTOMAT

MARVELOUS MRS. MAISEL RECREATES THE AUTOMAT IN SEASON 5

Source: https://untappedcities.com/2022/10/26/marvelous-mrs-maisel-recreates-automat-season-5/

The automat holds a hallowed spot in New York City and every history buff has flirted with automat obsession. It’s therefore not surprising to discover that The Marvelous Mrs. Maisel is also obsessed, so much so that the show has built a recreation of the Horn & Hardart automat for season 5. We’re excited to see how it looks as a filming location for the fifth and final season of the award-winning show.

automat

For the last week, the set has been rising inside a church in Crown Heights close to the Untapped New York office. First, it was just a bar being constructed and sanded on the sidewalk. Then interiors started getting built. The final set features Art Deco details and lettering, along with backlit display cases. Each section has a different food type listed: sandwiches, soups & salads, hot foods, pies and cakes, hot beverages, and ice cream. Edison bulb chandeliers hang from the ceiling. Lettering that spells HORN & HARDART (minus the D) has been placed on the exterior windows.

 

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Starting this morning, vintage cars line the streets near the sets, including trucks and a taxi cab, along with Plymouth, Dodge, and Buick vehicles. People dressed in period costumes walked the side streets on their way to holding and set locations. [Update: We were invited into the set this evening and got clearer photos of the set for you!).

The automat could be considered one of the world’s first fast food concepts and was first created in Germany. Business partners Joseph Horn and Frank Hardart established the first automat in the United States in Philadelphia in 1902. A few years later, the automat made its entrance into New York. Some of the chain’s most notable locations in New York City included one on 57th Street and one on 104th street.

By the 1970s, however, with the influx of many new fast food chains, the fifty Horn & Hardart locations in New York City had dwindled down to just a handful. Horn & Hardart’s 104th Street automat now houses a City MD, the only indication of its past is the Art-Deco style terra cotta ornaments above its windows. For many years prior, it was a Rite-Aid. The 57th street automat was completely demolished for the development of the Hilton Vacation Club, and none of its Art-Moderne facade remains today. The last Horn and Hardart automat, located at 200 East 42nd Street at 3rd Avenue closed on April 8, 1991.

automat

The New Life Tabarnacle Church, on the corner of Bedford Avenue and Sterling Place, is no stranger to film shoots. In 2016, it was the set for Wonderstruck. The movie starred Julianne Moore and Michelle Williams and is based on the Brian Selznick novel of the same name. Wonderstruck was set both in the 1920s and 1970s, and in the film, Crown Heights served as a stand-in for the Upper West Side of the time. Crown Heights has been been a popular neighborhood for filming locations and has served as the backdrop for High MaintenanceHigh FidelityGothamModern Love, Luke Cage, and more in the past.

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The Automat Movie Review

How a Vending Machine changed and is still changing, the world

The Automat Movie review 3/15/22, 11:00 AM

120 years after its founding, a venerable American institution is finally getting it’s close-up, in the form of a charming and very-well researched documentary, revealing its origins, history, and progress through a Century of enduring respect and even love. The myriad benefits that were provided to us through this business have been spoken of often, but here is a comprehensive revealing of how and why this was accomplished, a permanent record of the people who made it happen. Everybody has heard of it, many have experienced it but few have understood its origins or the processes that kept it alive and functioning over such a long period of time, remarkably true to its original intentions and so influential over so many other businesses.

When the history of dining, from the 19th to the 20th century, is written, there will be a hefty chapter on something called the Automat. Born in Germany, at the very end of the 19th century, with various permutations surviving in different European countries, this food delivery system, which relied on the high-tech vending machines of their day, found its natural home in the United States. It was here, where two entrepreneurs from Philadelphia, Joseph Horn and Frank Hardart, found a brilliant engineer, John Fritsche, to totally re-work the equipment and methodology, and fashion a giant two-city enterprise, that became the largest restaurant chain in the United States, for decades, and lasted for nearly 90 years.

Today, on account of rising labor costs and fear of contact spurred by the pandemic, a form of it is being revived, in various new versions. One, the new Brooklyn DumplingAutomat, has a preponderance of the deep-fried and almost all meat-loaded dishes, that were never a feature of the original places. They use their name, although it bears almost no resemblance to its namesake. True, there are lighted boxes from which you gather your meal, but everything must be ordered beforehand, (although it can be done online). The important, instant gratification factor, of the experience, is missing. The ability to run in and push a bunch of nickels or quarters into a machine and immediately have your chosen delicacy in your hands was an essential aspect of the original.

We have entered a new era, supercharged by the pandemic, a time when this modality, “Everything is only a few clicks away” and can be delivered before the sun sets, is the new normal. It is possible to see now, that this might have been the first working model of such an enterprise, launched in 1902, two years before Henry Ford applied these assembly-line principles to the business of manufacturing machines. That this has now become the dominant mode of virtually all commerce, the profound influence of this local restaurant chain on how our current world works, is unmeasurable.

Regardless of the technical aspects of any new iteration, there are other elements that are bound to be missing from new enterprises that would like to associate themselves with the H and H phenomenon. This has to do with the original goals of the founders and their remarkable ability to maintain their standards and methods during their many years of operation. The Automat was our most important common, virtually public, space, yet was being operated by a private company. As important as the food, was the nature of the experience. This was a home away from home for so many, as welcoming as a friend’s house. When I was growing up as one of seven kids, our front door was always open and there was always a stream of characters taking advantage of that fact, to grab a nosh or just pay a visit. That is the best analogy I can find for the character of the automat, an open door, and an empty seat.

Another difference with today’s take on this subject is that each of the many locations was virtually unique, unlike the endlessly repeated standard models favored today. Atouch of the magnificent, fabulous, and greatly detailed, these Art Deco and Art Nouveau masterpieces were probably the most elegant and luxurious places that the average customer experienced in the course of their day, for many in their entire lives. Most importantly, for a food joint, by making everything fresh, every day, they spared no effort or expense to provide the pinnacle of gastronomic, at prices that were impossible to findanywhere else. The quality and value, the consistency, were unmatched. The pride that the founders had in their products was more important to them than maximizing their profits, a mentality that has, tragically, virtually disappeared over time.

That is the main problem with those seeking to borrow some of the allure of the Automat. With the economies of scale that now dominate our business model in so many realms, from Amazon to Google, MacDonald to Microsoft, the point is to crush the competition by using their size to assert their necessity. Missing from these calculations is the human element. The lousy nutrition which has characterized fast food, the destruction of the ecosystem which accompanies it, and the urge to gobble up the competition and render it irrelevant, are all really anti-social activities, masquerading as “good business”.

Unfortunately, the potentially disastrous effects that their priorities have, on our long-term survival and the quality of life factors that accompany that, have been rendered largely irrelevant. The lessons that H and H taught us so well, about taking full responsibility for your actions, and aspiring to make the best of life’s gifts available to everyone, no matter how humble of status, are forgotten now. They have been replaced by quarterly reports, that totally ignore the impacts of these policies on our species and future. It is no way for us to reckon all of the consequences of this unchartered journey into what resembles oblivion, but it is certainly worth examining. We need to determine whether some changes are needed in how our world functions or doesn’t.

Along with the 40 restaurants in NYC, H and H also maintained a large chain of 140“Less work for Mother” retail shops here. They could see those busy people needed a way to get good, prepared, fresh food, to take home at the end of a hard day’s work. Along

with the excellent baked goods, they also provided access to their one-day-old production, at sharply discounted prices to those of modest means. They even placed some of these stores, intentionally, in neighborhoods that were economically disadvantaged. Somehow, these two enormously successful businesspeople never discarded their desire to serve a higher purpose than just making money. WhenMessers. Horn and Hardart realized that they could not maintain the quality and value of their products in other cities, without creating an entire complex system of processing and delivery, they decided that they would stick to what they had, rather than sacrificingtheir ideals for the sake of endless expansion. Enough was enough.

Since New York City, throughout the 20th Century, was, arguably, the most important place in the world for business, culture, art, finance, International peace and so many other important aspects of our lives, the presence of an institution with such high aspirations, a living example of unlimited possibilities was important background music. The automating and mechanization that the Automat presaged certainly was an accurate window into the future of our society and its methodologies. Fortunately, Mr. Horn and Mr. Hardart used technology to project optimism and generosity, which had to have provided each and all of its patrons with a map, of a path to the future, which was paved with humanity and inclusion. They breathed a welcome measure of compassion, empathy, and decency, into all of those who benefitted from these endeavors. That is not fast food, it is slow love.

The Automat movie does a terrific job of exposing these issues to us through a careful, joyful, and accurate history of this enterprise. I was honored to be a part of it along with such luminaries as Mel Brooks, Colin Powell, and Ruth Bader Ginsburg. First-time director Lisa Hurwitz took 8 years to craft an excellent documentary, by providing the essence and spirit of these places. While she is too young to have ever actually visited one, she has captured both the magic and the more mundane aspects of this historical phenomenon. That a novel vending machine could serve to demonstrate the best of our natures, is as odd as it is true. That it can still serve to inspire us to raise our aspirations to the sky, and yet fully realize them, is both remarkable and wonderful. It happened once and that means it can happen again. If such a vision is possible, how can we settle for less?

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The Automat by Lisa Hurwitz

The documentary website

Mel Brooks – At The Automat

http://automatmovie.com/

Lisa Hurwitz and The Automat

https://www.imdb.com/title/tt4554690/

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Automat in Jersey City

Automat Kitchen Launches a 21st Century Automat in Jersey City

Source: https://thespoon.tech/automat-kitchen-launches-a-21st-century-automat-in-jersey-city/

A digital-age reimagining of the Automat opened this week in Jersey City, New Jersey that combines high-end comfort food via touchless, contactless tech. The company in question is called Automat Kitchen, and according to a press release sent out this week, its first Automat location is in the the Newport Tower, which houses office space and is connected to a shopping mall.

It’s the latest development in the slowly growing movement to reinvent the Automat, which was a mainstay of to-go eating throughout most of the twentieth century. Back then, the coin-operated cubbies contained hot and cold foods, and the server-less concept provided meals for thousands of diners every day.

The march of time put an end to the concept in the 1990s. Tech and a global pandemic have brought it back in the 2020s.

Automat Kitchen’s version is a hardware/software combo. Users order ahead of time at the Automat Kitchen site and select a pickup time. They can also order at the physical location by scanning a QR code posted to pull up the menu. All orders are done digitally. Once the order is placed and paid for, the user receives a code with which to unlock one of the stacked cubbies.

Besides the the obvious difference of ordering and paying digitally instead of unlocking a cubby with a nickel, the other major change in Automat Kitchen’s system is the food itself. Originally, Automat food was pre-made, so you weren’t exactly getting the freshest burger on the block. Automat Kitchen notes its meals are cooked to order and are meant to be a fresh, healthier take on comfort foods. Actual humans cook the food, but there is no customer-to-staff interaction in Automat Kitchen’s process.

The pandemic has created the perfect setting in which this type of meal format could become hugely popular. The entire restaurant industry has shifted its focus to off-premises meal formats, with pickup being a major one of them. Menus are simplifying to save on costs and ensure travel-friendly foods. Major restaurant chains are designing the dining room out of their plans, or at the very least minimizing its presence. Finally, a vaccine being circulated doesn’t mean we’re all going to rip off the masks and hit the Golden Corral in droves come spring. Safety and a lessening of human-to-human interactions in the restaurant will be a concern for a lot of customers as they trickle back into some semblance of normality.

Another notable revamp of the Automat is the Brooklyn Dumpling Shop, which will open its first location this year and feature a similar temperature-controlled cubbies accompanied by tech. Further south, in Colombia, ghost kitchen network RobinFood has pickup cubbies at its locations, too. Digital cubby systems, meanwhile, have popped up now and again for years in the restaurant industry from the likes of Brightloom, Minnow, Ubo, and others. The list of companies updating the Automat will in all likelihood get much longer this year.

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Hoboken Automat

Brooklyn Dumpling Shop with ‘Automat’ Concept to Open in Hoboken

 

Source: https://www.hobokengirl.com/brooklyn-dumpling-shop-hoboken/

WRITTEN BY: VICTORIA MARIE MOYENO, POSTED ON FEBRUARY 13, 2021.

While there are many reports of businesses closing, there have been some openings and new venture announcements in the works — breathing life into various places along the Avenue that have previously shuttered. Two years ago, there was a fire in the restaurant Dili Junction, and since then, the mid-Washington Street fast-casual spot had been closed. Now, a new spot called The Brooklyn Dumpling Shop is making its way from NYC to Mile Square.

Photo credit: @brooklyndumplingshop

According to Jersey Digs, the shop, as its name suggests, will specialize in dumplings — with 32 flavors to choose from. The concept was founded by NYC restauranteur Stratis Morfogen, who took his family’s legacy trade, the New York diner, and reinvented it as this winning combination: diner dishes in delectable dumpling form.

The first location at 1st Avenue in Manhattan has yet to officially open and now the business is already expanded to a second location in Hoboken next to Off The Wall, at 514 Washington Street, and will be run by a partner, Nickesh Desai. Desai hopes that the Brooklyn Dumpling Shop will be open to customers in Hoboken by mid-April, per an interview with Jersey Digs.

Read More: City Diner: A Staple in Jersey City

If you thought turning traditional diner dishes into dumpling form was unique enough, you’re in for a treat, depending on your current dining out preferences. The Brooklyn Dumpling Shop — as a concept — will be an automated experience. As a direct effect of COVID-19 and restaurants aiming to offer customers a contact-less free exchange, this company has reinvented the concept.

https://www.instagram.com/p/CKScMIklydX/

The Brooklyn Dumpling Shop will have metal detectors scanning customers’ temperatures and glass compartments with food that open by scanning your smartphone. See here for a visual of the process. Each compartment is temperature-controlled, keeping the food fresh at all times. The compartments flash red when an order is placed, yellow when the order is two minutes from coming out, and green when it’s ready to be picked up. This comes just a few weeks after the official opening of Automat Kitchen, a similar concept, opened in Jersey City, proving that contactless dining experiences are gaining some traction.

The Menu

{Photo credit: @brooklyndumplingshop}

All of the dumplings on the menu come in three per order and were inspired by classic diner dishes, including pastrami, Rebuan, Philly cheesesteak, lamb “gyro”, turkey club, cheeseburger, chicken satay, peanut butter and jelly, chicken parm, pizza, and more.

See More: NY-Based Taco Spot ‘Tacombi’ Coming to Jersey City

{Photo credit: @brooklyndumplingshop}

The variety of breakfast dumplings includes flaky croissant-shaped dumplings, bacon, egg + cheese, spicy sausage + egg, and more. For seafood lovers, there will be shrimp, lobster, crab, scallion, and lobster spring roll. Additionally, there will be chicken, lobster, and shrimp wontons.

For veggie eaters, there will be edamame + white truffle broth, an impossible burger, and crispy eggplant. Variations of soup and spring rolls are also on the menu.

{Photo credit: @brooklyndumplingshop}

We would be remiss not to mention the dessert menu that will consist of apple, fried banana, warm Nutella, and cinnamon saffron dumplings.

As far as opening dates, we’ll share updates as they become available — but the opening looks to be sometime in spring 2020. In the meantime, follow the Brooklyn Dumpling Shop on Instagram for more updates.

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Flowers Automat

from Serbia! More is coming about the guys extending their sales with an Automat.

flowers automat

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Automat in Articles

The Automats were here back in 1912:

automat, n. | Gr. automatos, self-acting |
1. an apparatus for serving foods mechanically when a coin is dropped in a slot. 2. a restaurant having such apparatus in place

lunch hour automat

The pictures (above) is showing the original Horn & Hardart Automat in NYC.

A limited number of genuine Automat machines are salvaged and available for sale from the Automat Collection of Steve Stollman.

Please join Steve Stollman at Meet Me at the Automat event

Monday 07/02/2012, 1 P.M., 1557 Broadway in Times Square

Decorate your new Automat restaurant with unique and genuine Automat items. We have many original Automat units from Horn and Hardart Automat, some chairs, glasses, plates…etc. For more antiques please visit abeautifulbar.com

Press Release:
Who: Steve Stollman MeetMe@TheAutomat.com 212 431 0600
What: Celebration of the 100th Anniversary of the opening of the first Horn and Hardart Automat in New York City
Where: In front of 1557 Broadway, the site of the first Automat
When: From 1 PM to 3 PM, Monday, July 2, 2012

On July 2nd, 1912, at 1557 Broadway in Times Square, the first of New York City’s remarkable chain of low-priced but high-quality restaurants opened. For nearly a century the 40 Horn and Hardart Automats scattered around NYC became some of the most well-known and well-loved elements of this place, extremely popular among tourists and residents alike. It is worth reflecting on its unique character and its influence on many aspects of our lives.

Steve Stollman, who for twenty years has been the only source and conservator of the last of these handsome and unique vending machines, that once were the primary symbol of this phenomenon, will provide information to those members of the press interested in giving the public a better picture of this New York City icon. He will provide copies of the book “The Automat” by Lorraine Diehl and Marianne Hardart, the best book available on this subject, to help them understand this issue better.

Some may wish to visit the recently-opened show at the New York Public Library on the history of lunch in NYC a few blocks away on 42nd Street and 5th Avenue. The restored Automat fixtures on display there is strong evidence of the beauty and charm of these restaurants as well as the ability of some businesses and institutions to serve the real needs of the entire population, regardless of social station, with class and distinction. The library itself, as well as the Automat, is an excellent example of the important benefits that accrue to a society when its gifts can be made available to all rather than just a few.

Said the Technocrat, to the Plutocrat To the Autocrat, and the Democrat — “Let’s all go eat at the Automat!”

Articles:

Lunch: An Urban Invention

Revisiting the Era of Automatic Dining cityroom.blogs.nytimes.com/revisiting-the-era-of-automatic-dining

Fresh from the press cityroom.blogs.nytimes.com/stories-from-the-automat-machines-in-a-harlem-basement

Read the full story at nytimes.com/nyregion/new-yorkers-co-in-little-boxes-the-automat-lives-on.html

Remember the Automat theatlanticcities.com/arts-and-lifestyle/2012/06/remember-automat

Vanishing New York vanishingnewyork.blogspot.com/2008/04/steve-stollmans-place.html

http://www.wired.com/science/discoveries/news/2008/06/dayintech_0609

Coin-Op Cuisine

https://www.eater.com/2015/9/16/9334659/automat-eatsa-history-future

Diner’s Journal

http://en.wikipedia.org/wiki/Horn_&_Hardart

http://en.wikipedia.org/wiki/Automat

Dictionaries:

https://www.merriam-webster.com/dictionary/Automat

http://www.thefreedictionary.com/Automat

http://www.yourdictionary.com/automat

AUTOMAT by EDWARD HOPPER, 1927

AUTOMAT by EDWARD HOPPER, 1927

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The Automat in CAD



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The Automat Music Groups

There are at least seven artists called Automat:

1. An electronic group from Italy
2. A techno producer from France
3. A power pop band from the United Kingdom
4. An electronic post-punk group from Germany
5. A four-track solo project from St. Louis
6. A synthpop band from Quebec, Canada
7. A fuzz-pop act from the Philippines

More at https://www.last.fm/music/Automat/+wiki

automat

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